![]() ![]() It only takes a couple tries to get it right, but in the moment my brain gets easily flustered by the amount of content it suddenly has to process. “Is there a line between an appropriate level of Chopinesque rubato and a legit slowdown to get all the notes?”Īnd then on the second page, you run into this monster: “Oh, wow, yep, this really is the left hand part for 99% of the piece.” Better focus and make sure I hit every chord.” ![]() And every harmonic change is super important. ![]() “Wow, this left hand part has huge leaps. You hear a couple bars of the melody and think: “Ah, yes, that famous Chopin nocturne.” But when you’re actually sitting at the piano and playing it, some new thoughts start to creep in: Jane Magrath’s entry on this piece actually says “This is a selection that is often assigned before a student is fully prepared for its difficulties.” I think the biggest misconception about this piece’s difficulty comes from its familiarity. ![]()
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